
Pink Moccasins builds upon Red Star's research into historical photographs of Apsáalooke individuals and objects, with the artist drawing on both her personal collection and works held in museums and archives across the country. Red Star notes, “Since the time I left the Crow reservation I have encountered my tribe’s material culture in every city I have exhibited or occupied. It is incredible that so much of my community’s history and material culture is kept in the vaults of these institutions hundreds of miles away from their source.”
This body of work consists of large-scale unique collages, which layer photographs on top of fabrics typical of Apsáalooke regalia. Once again drawn from Red Star’s archive, these works feature photographs of intricate Crow beadwork and plateau pictorials, many of which are in the artist’s personal collection. The images are enlarged and repeated, producing abstract compositions.